Reviews for RocknRolla ( ) 1080p

IMDB: 7.3 / 10

Carl the Critic: RocknRolla

Great movie! Unusual title! leave it to the British film makers to make amazing movies with strange titles. "The Full Monty," "James Bond: Octopussy," and of course "RocknRolla." What is a 'RocknRolla'? I'm not entirely sure if the film really explained it clear enough but you know this is a Guy Ritchie film, where it doesn't matter as long as the film looks good. The Formalist style of film making is clearly seen in this film with the hard core action and violence, and a scene where someone finds a creative use for a pencil (by stabbing it in someone's neck) but it is not as violent as I had hoped it to be, and since this is formalism style of film making the violence and action had to look cool as opposed to being real, which is probably why when Johnny Quid stabbed the guy in the neck like twelve times with a pencil there was no blood or markings, but really I was too busy going "what the hell?" to notice.

The film's story was a little bit clearer than Ritchie's next film ("Sherlock Holmes") but there is no development of the story or plot but of the characters themselves. I think that is essentially where the main story of the film is suppose to come from, and even if it didn't work for me, I still found the characters engaging and fantastic. The dialog (as always) is very witty and well executed. The lines and come backs from one actor to the next was natural and emotional, making them engaging and interesting.

Like the film that follows "Sherlock Holmes" this film has a talented cast of well known actors as well as some promising new comers. The actors were the main reason that the film was successful for me in making me totally engaged with the film, and that I would say if you want to watch an action film with great characters, photography, editing, and a grade A British Film maker, than RocknRolla is the film for you.

Don't worry. He can't defend himself - he's got no head.

When a land deal goes wrong for One Two (Gerard Butler) and Mumbles (Idris Elba) they have to steal seven large to pay back underworld fixer Lenny Cole (Tom Wilkinson). Aided by accountant Stella (Thandie Newton) they make the hit and think that's the end of the matter. Only it isn't because now the can is open and there is worms every where. Worms involving a shady Russian business man, his favourite painting and a junkie rock star who keeps on dying!.

It's interesting viewing RocknRolla now just after Guy Ritchie's reinvention of Sherlock Holmes has put him back on the flavour of the month list. For at the time of its release Ritchie was on the back of a couple of critical bombs and was of course then known as Mr Madonna. The press and the film critics seemingly revelling in giving the bright director a good old cockney kicking after putting him on a pedestal with the success of the Lock, Stock and Snatch movies. Don't get me wrong, Swept Away is awful and Revolver, while not being the cess pool of vomit some would have you believe, is just too much labyrinthine plotting around a poor narrative story. But had Ritchie lost his mojo in 2008? Is it true that he got lucky with his cockernee gangster forays?.

Well what we know to be true is that Ritchie is comfortable back on the shady London manor that is at the heart of RocknRolla. Cynics will say he has played safe and returned to the formula that made him. Yeah, so what? A return to form is a return to form is it not? Besides which, if one is prepared to delve deep and examine RocknRolla, you will find that it's more polished than both Lock, Stock and Snatch; with a far better cast of actors able to fully realise the zippy structure and material of the piece. No! Ritchie is no great story teller yet, and judging by the plot of Sherlock Holmes, he's unable to spot a duff story either. Yet the vigour, vibrancy, and all round geezerness of RocknRolla is bountiful as a ream of charismatic characters all have stories within the story. Ritchie returning to gangland territory with guns, gags and sexual energy is a good thing. It really is.

The cast are uniformly strong. The roll call contains Mark Strong, Gerard Butler, Tom Wilkinson, Tom Hardy, Thandie Newton, Jeremy Piven, Jimmy Mistry, Idris Alba, Chris Bridges and Gemma Arteton. All of whom seem to enjoy being in "that type" of Guy Ritchie movie. But it's Toby Kebbell as junkie rock star Johnny Quid that shines the brightest. He's no stranger to fans of harder edged British cinema, his brilliant turn in Dead Man's Shoes often gets forgotten because of Paddy Considine's much lauded turn in that film. While Wilderness, and then Control, further pushed him forward as a major British talent. Here he covers many bases in character while the material lets him slyly dig at the music industry and link it feral like to the underworld. A terrific turn from a terrific young actor.

With a kicking soundtrack that includes the likes of The Clash, The Hives, The Subways, Lou Reed and The Sonics, it's not just the crime caper plot that positively pings. There's some links to Pulp Fiction, a painting we never see echoes the running suitcase gag, while a wonderful dance sequence between Butler and Newton of course nods to Uma & John. But it's fine, this is Ritchie's world and its fun, sexy and cunningly dangerous. 8/10

Guy Ritchie at his best

Guy Ritchie's career has run red hot and ice cold over the yrs. Guy's unique European gangster movies know how to have fun. Really cool violence w/ really cool lines.

Guy Ritchie busted out w/ cult gangster faves Lock, Stock and Two Smoking Barrels and Snatch. Then Madonna drained his awesome storytelling w/ Swept Away. Then came weak Revolver. Madonna wrecked one of my fave directors.

I put off seeing RocknRolla and I regret it. Guy Ritchie is back! Every BLEEPING thing I love about his movies came back in a wave. Unforgettable characters, bad a** story, cool lines, and plenty of action to boot. He did get help from two BLEEPING great actors. Mark Strong "Archy" and Toby Kebbell "Johnny Quid"

If you gave up on Guy Ritchie come back. RocknRolla will win you over.

A Small Movie That May Make Big Things Happen For the People Involved

RocknRolla seems to be the beginning of the resurrection of Guy Ritchie's career. Not to anyone's surprise he does this with what he has been so potent with throughout his career; a British gangster film. If you've had any experience with Ritchie movies you know exactly what you're getting into here, a comedic thriller. This of course may seem problematic, in Ritchie's case it is not.

The writing and dialog is fast paced and quite witty and entertaining to watch. The movie as a whole maybe be a bit of a head scratcher here and there but the pay off is good and the idea is a bit of a parody of itself which is what makes this film so fun.

What Ritchie accomplishes though, in the same way he has with his past successful productions is putting together an extremely diverse and yet correlating cast. This starts with the lead man in Gerard Butler whose notoriety has steadily risen largely through his performances of comical caricatures (not an insult). With RocknRolla Butler seems to have found a role perfect for his appeal and charm he brings to the screen. This is largely because of a witty script and great, fun performances all around.

Then of course there is Mark Strong who until this year was largely a total unknown, at least in the American mainstream. While Gerard Butler may have found a genre he is most strongly suited for, Mark Strong could certainly use this along with Body of Lies to launch to the very least a respectable acting career. His posture, range and ability to change tone and style subtly not only between films but within them is something that should be and surely will be recognized.


Terrible, just terrible.

This movie proves without a doubt that Guy Ritchie is a one-trick pony, someone who got lucky with his first movie and is doomed to forever rip it off for anything else he makes.

Guy Ritchie is so far removed from the gangster lifestyle he attempts to portray its laughable. Everything seems so hackneyed and clichéd, the script is as close to Lock Stock and Two Smokings barrels as you could get without actually making the same film.

The dialogue, choice of music editing, everything seems so forced, so desperately trying to be hip its pathetic. A truly terrible film.
Guns, gangsters, and Richie's unique style and tone make his latest picture just plain fun.
This is a wonderful movie.

Disappointing and Tedious

Unfortunately I watched my DVD of Snatch two days before I saw this one. Youch! Snatch is such fun dark humorous crime pulp fiction. There is no movie I have ever seen that has so many characters that are as fun to watch as in Snatch. I was looking forward to RocknRolla. So sad. Yikes! I barely liked any character. The action and dialog seem geared more to audience members of the half-wit gang-impersonator ilk that are rampant in today's global culture. Just kind of stupid glorification of violence and macho-posturing. I don't know how Guy descended into this kind of low cinema. I like his previous crime movies because they are thoughtful, novel, intelligent, and had colorful characters played by good actors who ate their roles up in style. And ultimately, even if some were truly bad guys, they played them with such panache you relished their performance(ex. Brick Top). With this movie it was almost the opposite: I found myself disliking almost everyone in it. Most everyone was bland and the ones that stood out were not the ones I would want to stand out and watch(the punk rocker kid, barf.) I hate to review it so badly because Snatch continues to bring such enjoyment into my life so I am fond of Guy Ritchie. But I actually came out of the theater disdainful at this one.
Ritchie, who shoots and cuts everything in RocknRolla like an ad for a particularly greasy brand of fragrance for men, delivers the beatings and killings in his trademark atmosphere of morally weightless flash.

Rocknrollin its way to one of the best films of the year

Everybody loved Lock Stock & Two Smoking Barrels and Snatch. Everyone hated Swept Away and Revolver. The question was, how was Guy Ritchie's latest film, Rocknrolla, going to do? From what I've seen, everyone better love this movie! This film has it all: gunfights, gangsters, British slang, Gerard Butler, memorable lines, and even some poorly behaved American crayfish. Somehow, Ritchie finds enough film time to fit cameos by Jeremy Piven and Chris "Ludacris" Bridges in there.

Butler returns to the kind of the role that made him a household name in 300. Butler stars as Mr One-Two, a criminal who isn't afraid to speak out his mind, or let his fists do the talking. It's good to see Butler return to the badass role after starring in soft films such as PS I Love You and Nim's Island. Tom Wilkinson, fresh off an Oscar run in Michael Clayton, stars as Lenny Cole, a tough, old school British mobster who is prone to some senior moments. Ritchie's trademark of having the stories intertwine comes into play, something that made Snatch and Lock Stock work so well. Lenny, who has cheated One-Two out of a land deal in London, is working with some Russians, led by the businessman Yuri (Karel Roden), on a land deal. However, One-Two steals Yuri's money meant for Lenny. This sets up a chain of events which lead to dead bodies and more.

While Snatch focused on a stolen diamond and Lock Stock focused on stolen guns, Rocknrolla chooses to focus on a stolen painting. You see, it's Yuri's lucky painting, and he's let Lenny borrow it. Turns out, the painting has been stolen by Lenny's wild stepson Johnny Quid (Toby Kebbell), a crazy, stoned rocker. While some fans will complain about how Ritchie films always seem to be about something stolen, I just feel if it ain't broke don't fix it! Aside from Butler and Wilkinson, fans will love performances by the all star cast including a sexy accountant (Thandie Newton), One-Two's partners (Idris Elba and Tom Hardy), and two American club owners (Bridges and Piven). However, Kebbell and Mark Strong absolutely steal the show. As the stoned rocker, Kebbell makes us feel compassion for the Johnny Quid character, and we eventually root for him against his mean ol stepdad. Strong, fresh off a classic role as a good natured hit-man in Ritchie's Revolver, portrays Archie, Lenny's loyal right hand mate. Archie is a no nonsense criminal who also serves as the voice of reason in Lenny's crazy world. Archie is without a doubt one of Ritchie's finest characters.

American filmgoers will probably complain that the film is too "British". As an American, I honestly say, "Who cares?" Ritchie's use of British slang is fun, hip and gives this action film a sense of humor. If this is too much for American filmgoers, then they will be glad that this film somewhat reminds them of a film directed by the great American director Quentin Tarantino. A dance scene between Butler and Newton seems directly pulled from Pulp Fiction, a scene where Johnny tortures a man to the tune of The Subways' Rock n Roll Queen seems like a sly Reservoir Dogs reference, and the unseen painting will have fans guessing, much like the briefcase from Pulp Fiction. In addition, the opening credits sequence is on of the best you will ever see. The sequence almost has a graphic novel feel to it, something we Americans love (examples: 300, Sin City, 30 Days of Night).

Overall, Ritchie gives us a deep, crazy, and fun film. When it's over, you think how this film could possibly be made better. As if right on cue, the question is answered. A sequel, The Real Rocknrolla, is announced on screen. A perfect 10, I can hardly wait for The Real Rocknrolla.

Welcome back, Guy.

I just saw this film and I obviously loved it. I had been a huge fan of Guy Richie's "Snatch" and "Lock Stock and Two Smoking Barrels." Then he married Madonna and made a few bum movies, especially "Revolver." Well rest easy, Guy Richie Fans, the man who made the two great movies I listed above is back and funnier, more intense, and a better writer/director than ever. The first ten or twenty minutes of the movie are a little confusing, but as long as you follow the characters and events (which isn't hard to do since they're fantastic and well acted) you'll understand and enjoy "RocknRolla". I'll also add that the soundtrack is great.

Guy Ritchie did it again

After some failures in his career as a director, Guy Ritchie is back with a fast paced, frenetic movie. A film about a Russian mobster orchestrates a crooked land deal, millions of dollars are up for grabs, and all of London?s criminal underworld wants in on the action. Everyone from a dangerous crime lord to a sexy accountant, a corrupt politician and down-on-their-luck petty thieves conspire, collude and collide with one another in an effort to get rich quick. The story is interesting and the plot is very well developed. Its a film with lots of action and adventure, it has also a very good amount of black humor, characteristic from Ritchie's movies, and full of twists and an unexpected ending.The direction from Ritchie is excellent, the first hour might be a little slow but from the second hour till the end the movie takes a very fast rhythm and the fast forwards and slow motions increases the intensity of the movie. The cast is amazing, Gerard Butler gives a formidable performance, Thandie Newton also very good, Tom Wilkinson flawless as always and the secondary roles from Toby Kebbell (Johnny Quid), Idris Elba (Mumbles) and Mark Strong (Archie) gave the movie a very good support. In conclusion, RocknRolla is a entertaining movie you will enjoy and that will keep you on the edge of your seat.

If this movie's rockin'?

Throughout his career, director Guy Ritchie (Snatch, Lock Stock and two Smokin' Barrels) has slowly gathered a cult-like following, ensuring that his movies, be they good or bad, will always earn a few dollars from loyal fans. With his 2006 release of Revolver, many of his avid followers found new 'stylistic' directors to drool over, the movie itself receiving mostly negative reviews as a majority of moviegoers claimed it to be 'all style and no substance'. His latest release, RocknRolla, shows Ritchie returning to his roots of gangster oriented, moronic villain centered, hit-man featuring fun. It's a welcome return.

RocknRolla is an ensemble piece, centering on many, many characters while remaining surprisingly capable of not focusing on any one member of the never-ending cast. Gerard Butler (300) plays a good-hearted crook for hire by the name of One-Two, a member in a group of 5 blood-to-bones friends, each of which doubles as a partner in crime. The main focus in the gangster-related circle of characters is Lenny Cole, a ruthless, old fashioned thug brought to life by Oscar-nominated Tom Wilkinson (Michael Clayton).

The movie truly begins 15 minutes or so after the rather unique opening credits, which in itself foreshadows Ritchie's stylistic thematic which circulates throughout the movie. The eclectically charged plot follows Lenny Cole and his cohorts as they meet and greet Uri, a seemingly reasonable Russian mobster, as the two speak real-estate business. Cole, a self-proclaimed "King of London", runs each and every aspect of London, and agrees to allow the Russians their building ? for a small sum of 7 million Euros. Agreeing, Uri offers Lenny his favourite painting as a token of appreciation, a hopeful symbol that all will go well.

From this point on, viewers are treated to a mishmash of confusing twists, an infinite pallet of characters, and some of the most intelligent writing to hit Hollywood in years. The afore-mentioned painting is stolen from Cole, and a search ensues throughout the entire movie, eventually leading to Johnny Quid (Jamie Campbell), the lead singer of The Quidlickers, and step-son to none other than Lenny himself. Quid, also known as "The Rocknrolla", represents a solid contrast to his devilish step-father. Providing monologue after brilliant monologue, Quid becomes a character of classic cool, embodying olden day suave with modern day style, a true to time Rocknrolla.

As with every one of Ritchie's gifts to the silver screen, the subtle yet slick script throws the few negative aspects of the movie to the backburner, leaving only pure gold to shimmer and shine. With a never ending stream of British mannerisms combined with over-seas terminology, North American viewers are faced with a rather tricky dilemma: Sit through a movie that may require a small amount of effort to comprehend due to it's foreign tendencies, or instead rely on Dicaprio and Mr. Crowe to deliver yet another bland, meaningless CIA centered action movie in the form of now premiering Body Of Lies. Unfortunately for the masses that truly enjoy a movie with an intelligent script, box office numbers generally speak poorly for Guy Ritchie's films on our side of the pond, his movies usually making no more than a few hundred thousand dollars, only to become cult hits once released on DVD.

Viewers may be shocked to see Gerard Butler (best known for his overly masculine performance as King Leonidas in 300) hidden amongst an amazing yet unknown cast, with each actor holding their own and providing more than authentic performances. It is a rare yet beautiful sight to behold, a cast full of actors that have not yet been granted the "fame" or spotlight, yet manage to upstage a majority of the actors that we are presented on a day to day basis. It is beyond sad, the least can be said, to see Chris Bridges ? A.K.A. Ludicrous (2 Fast 2 Furious) ? and Jeremey Pivens (Smokin' Aces) failing miserably in their attempt to act in brief yet important cameo performances, also singled out as the only two American actors in the film, their "talent" shadowed and overcast by the nobodies surrounding them.

To those readers out there who are contemplating seeing this not-quite-so-common piece of theatre in the form of British Cinema, it is best for you to know there are many worse things you can do. Director Guy Ritchie weaves an intricate quilt the likes of which hasn't been since his debut to theatres, managing to create a truly witty film from nothing more than a missing painting. Definitely a must see.

5 out of 5 stars

Slick title - the expectancy ends there.

If you were expecting something new, vibrant and original in Guy Ritchie's latest offering, then you're in for a major let down. The same old elements are present: small-time gangster wannabes, guns, violence and not forgetting the pointless swearing and much needed anger-management. Rocknrolla is a film that doesn't keep you guessing, in fact, it makes you think about having spent your entrance fee on another film. What is needed is an injection of new material, instead of an injection to numb the pain. The only thing missing to complete this film's total lack of originality is his wife, Madonna. Speaks volumes to say the very least.

A bit better than Swept Away... a bit

The consensus seems to be amongst contributors here that RocknRolla is a 'return to form' for Guy Ritchie. I should point out at this point that I don't accept the premise that he had ever struck vein of 'form' in the first place. He did to some extent (and not necessarily to his credit) create a distinctive genre of British film with Smoking Barrels and Snatch and, in the sense that this is almost identical to those earlier films, RocknRolla it is certainly a return to something.

I'm a Londoner; my parents were Cockney and my grand-parents were Cockney (in fact my Auntie Elsie lived only a few streets away from Violet Kray), and as such I have always thought of Ritchie's Mockney gangster genre as the rather sad fantasy of a bored and insecure middle-class public schoolboy sitting in his 'dorm' reading "A Profession of Violence" and wishing that Mad Frankie Fraser was his dad and that Frankie would turn up in the senior common room one day and give a good slapping to all those rotten school bullies.

I've never found any of Ritchie's films funny and I certainly didn't laugh at RocknRolla. It's juvenile, has a silly plot and is too long as well. The characterisation is poor and the dialogue is annoying and dotted with the kind of toe-curling phony philosophising that would probably not even make it into a Kabala recruiting video.

Ritchie is a director of some technical skill but his limited imagination and interest in the human world at large means that he will never make a film outside this Mockney Gangster genre (Swept Away showed us the disaster that ensues when he tries). The fans are there for the Mockneys and I'm sure he'll continue to make more at ever lengthening intervals, probably with decreasing budgets and eventually going straight to DVD. They will all follow exactly the same formula and I won't sit through another.

Ritchie rolls back into action with a pulse pounding, viciously funny return to form

In a business as enormously subjective as the film industry, it would seem near impossible to attempt to remain individual and innovative, continually raising the bar, without the occasional stumble. Writer/director Guy Ritchie, who at first garnered countless approval for his vicious, hyper-stylized tales of dirty deeds in the British underground, had found the critical tides turning in recent years after the succession of universally panned Swept Away to widely baffling Revolver, begging the question as to whether Ritchie's cinematic genius had been limited to his initial films. However, fans of the unconventional filmmaker will be enthralled to hear that his latest project, RocknRolla proves a confident return to form, a snappy, stylish piece of work bristling with energy and acerbic wit - in short, classic Ritchie.

Returning to his defining genre, Ritchie crafts yet another convoluted myriad of intersecting story lines focusing on greed, deception, double-crossing and plenty of stupidity in the seedy underbelly of England. With viewers trusted to be familiar with his unique style, Ritchie uses his familiar story template to worm in social commentary amidst his trademark edge and humour, satirising the increasingly developed state of London and the enormous demand for real estate and location. But this is not the ordinary, romanticized London, as Ritchie's cinematic eye appears determined to capture every last dank, filthy gutter, every ounce of crime and corruption in a fashion akin to the least flattering cinematic depictions of New York. And yet, amidst the filth and edgy comedy, the occasional moment of raw humanity, flawed as it may be emerges from the fray of unanimously unsympathetic characters, whether it be the vulnerability of rocker Johnny Quid shuddering and rocking back and forth on a drug trip or the witty interplay between 'The Wild Bunch', a trio of hapless thieves. For a film so cynically detached, RocknRolla sure can hit the emotional gut-punch buttons for brief but unsettlingly crucial moments.

However, in the midst of his caustic reflection on his home town, Ritchie has mercifully left his sense of uproarious fun intact. After a relatively slow start, serving mostly to set up the convoluted array of characters and plot points (the central Maguffin this time being a 'lucky' Russian painting which goes missing) the film takes off at the frenzied pace those familiar with Ritchie's work would expect. Plunging into a fray of hilarious coincidences and situational comedy (watch for a priceless slow dance scene and one of the most hysterical sex scenes in many a year), double crosses, intimidation rants, philosophical monologues and the time worn Ritchie tradition of indestructible Russian hit men, it becomes clear that no matter how many similarities it may bear to past work, the delight of seeing a dynamic talent back on the top of his game cannot be understated. While the hyper-kinetic editing and camera-work and bold music cues of Snatch have been toned down and the casual violence is more removed, the cinematic flavour is unmistakable - Ritchie is back, and just as bombastically entertaining as ever.

As usual, Ritchie's cast rise to the occasion of matching the brilliance of their script and director. Gerard Butler brings an endearing charm to tough talking goofball thug One-Two, inevitably raising laughs whenever on screen and anchoring the film as one of the few likable characters. Tom Wilkinson takes on the role of resident British mobster with considerable aplomb, spitting out his lines with a vindictive joy and proving easily more than adequate on the intimidation front. Thandie Newton evokes an alluring mysterious air as a devious accountant playing each side of the conflict against each other, exuding a subtle quirkiness in her execution of the traditional femme fatale figure. Mark Strong delivers harried menace and perfect comic deadpan as Wilkinson's right hand man, crafting another memorable Ritchie reference with the "Archie slap", and Idris Elba and Tom Hardy are fittingly hilarious as One-Two's bumbling fellow hard men Mumbles and Handsome Bob. Finally, Toby Kebbell eerily essays the most commanding character on screen as allegedly deceased rocker Johnny Quid. A narcissistic, painfully vulnerable, haphazardly philosophical and cheekily insulting pile of flaws and potent observations, Quid is as classic as any of Ritchie's more beloved characters, and Kebbell's off-kilter performance rivets the viewer's attention - whether hilarious or tragic, he is always invariably impossible to ignore and far too interesting to discount.

While the occasional cry of rehashing story elements from past successes may be raised, Ritchie's return to form is too supremely entertaining to dwindle under such complaints, as the formula proves to have just enough shelf life along with countless inspired tweaks to remain miles ahead of any stylistic impersonators. For any finding the cinema's fare too dull or uninspired, fear not - a genuine talent has re-emerged, and RocknRolla proves just the antidote to the hackneyed mainstream offshoots which slunk up in his absence. The prospect of the announced two sequels is mouth watering indeed - if anything should prove indicative of the film's quality, it is that.


Incredibly funny and yet very powerful.. Guy Ritchie has done it again!!

This is a typical Guy Ritchie film. With a wide range of characters and some very powerful performances to random shots making you wonder where the story is headed but just in time to converge in one final showdown leaving you with just word.. WOW!! I can't help but compare it to they are similar in so many ways...but SNATCH was much more intense, funny and a better script.

Some very fine performances from Gerard Butler from 300, Tom Wilkinson from Michael Clayton but what really surprised me was outstanding performance by Toby Kebbell. His subtle dialogue and crazy laughter really spells horror and magic at the same time. The story takes you through the world of mafia and spins all dramatic sequences with blood, deceit and loads of humor. The scene where Gerard and his gang escape from the two Russian militants... that scene made me laugh like crazy.

I just loved this movie and i can't wait to see the sequel.

Guy Ritchie, Rock 'N' Roll King

While seeing the dark knight a trailer for a new guy ritchie film came up.

I wasn't particularly swayed too much by this trailer but considering the summer period was almost over and we film lovers now have to survive the cheap horror winter season, Rocknrolla seemed like a nice surprise.

So i saw it last night.

And, to the tell the truth, i absolutely loved it! Obviously apart from guy ritchies excellent direction it had some absolutely fantastic dialouge with some pin sharp conversations and trademark British humour.

The story revolves around several characters, each do something that affects another character within the story. Characters are The Wild Bunch with Gerard Butler, Thandie Newton the accountant, Tom Wilkinson the gangster.

I could say more but there are a lot.

The film to start i found was rather complicated but as time went on i got used to all the characters and they're relationships etc etc.

It's filled with some great top notch sequences but my favourite and the crowds favourite was "The Invincible Russians" Overall this is a great film and breaks the dead lock of cheesy cheap films we get around this time of year.

go see it now!