Naked Youth (1960) 1080p

Movie Poster
Naked Youth (1960) 1080p - Movie Poster
Genres:
Crime | Drama
Resolution:
1920*800
Size:
1.61G
Quality:
1080p
Frame Rate:
23.976 fps
Language:
Japanese 2.0  
Run Time:
96 min
IMDB Rating:
7 / 10 
MPR:
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Downloaded:
151
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0
Directors: Nagisa ?shima [Director] ,


Movie Description:
Kiyoshi is a brooding young man who treats women solely as objects. Makoto is a young woman who is just reaching her sexual awakening. She and her friends accept car rides from middle aged men, although they state it is nothing more than fun with no intention of leading those men on. Kiyoshi and Makoto meet when he saves her from one of those middle aged men who tries to take advantage of her. Despite treating each other abusively, they start a relationship with each other which leads to what they call love, but feels more like an emotional dependence on each other to rebel against traditional society. Each with no money, they start to extort money from these middle aged men who she leads on. This act is only one demonstration of the only power they feel they have, namely sex, which they use against others as well as against each other in their doomed relationship.

Screenshots

  • Naked Youth (1960) 1080p - Movie Scene 1
  • Naked Youth (1960) 1080p - Movie Scene 2
  • Naked Youth (1960) 1080p - Movie Scene 1

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Reviews

Rebellion against conformity, but with old-fashioned misogyny

I liked seeing a raw, edgy, uninhibited side of Japan, and director Nagisa Oshima's style which mirrored the French New Wave directors from this period whom he admired. I liked the nice cuts and shots he captured, the rock and jazz music in the soundtrack, and his unflinching look at the cynicism present in Japan following WWII. There are some who relate it to "Rebel Without a Cause", but I don't like the comparison, because "Cruel Story of Youth" is over-the-top in its darkness and nihilism, none of the characters are likable, and one doesn't get any sense of the 'tragic, misunderstood, disaffected youth' or feel empathy towards them. There's also not enough content which relates their delinquent behavior to their upbringing or the times which would allow us to see it as an indictment of society.

You could say all this darkness is because life in Japan after the war was far darker than America, and while there is some truth to that, the film's biggest problem is the cruelty towards women which pervades it. You'll see attempted rape, rape (twice), attempted forced prostitution, an extortion scheme that involves using a woman as bait in dangerous situations, using women young and old as sex objects without any feeling, and utter indifference to abortion from a surprise pregnancy. Cruel story, indeed. The lead female character is shockingly stupid. There are some characters in films who are just stupid, regardless of their sex, but this is part of a larger theme. The film is all about in-your-face rebellion in its content, frankness, and even style (which I ordinarily love) – and yet how sad is that Oshima perpetuates the (very traditional) theme of misogyny. It's the combination of this and the general unlikeability of the whole thing that tempers my review score to an average rating, for what is such a landmark film from a talented director.

If you're interested in 1960's Japan....

Not the best film for it's time; I've not seen anything else from this director, so I can't comment on that aspect of the film....

I had to remind myself several times while watching that this film is almost fifty years old. Elements of the story remind of today, especially the "scams" and the gritty aspect of teenage relationships and sexuality; at the same time I could never suspend my disbelief over the age of the actors -- they in no way resembled a high school girl or a college boy. The editing is a mess; I'm guessing that the director was attempting something artistic. The story, however, is very good. (Unfortunately the translation I watched mistranslated several scenes and so took the punch out from the delivery.)

I could recommend this movie to anyone who wants to see some of the grime of post-war Japan. But if you watch this film leave your modern sensibilities at home: Joan Collins said that she was rapped by the man that later became her husband and that seemingly topsy turvy attitude about sex and relationships is a large part of this film: the definitions were different, sex was novel on the big screen and peoples perspectives were not the same as today and I see no point in complaining about the gaps; I feel it's better to acknowledge them, think about how they might have been viewed and then look past them to the story the director was trying to tell.

Technically well made, but overall pointless and unlikable

I know that many consider this film to be a classic and my very low score will most likely trigger a lot of "not helpful" votes, but I just didn't like this film at all. I understand that the film is in many ways a Japanese film version of the important French film BREATHLESS, but like BREATHLESS, the leading characters are so unpleasant I had a hard time sticking with the film--though with THE CRUEL STORY OF YOUTH the characters a lot more unpleasant and slimy.

The girl is an idiot high schooler who slavishly follows after a college student who treats her like garbage. He rapes her twice at the beginning of the film and in return, she devotes herself to him!! The guy, in addition to being a rapist, is a violent user. The loves to fight and sleep around and does little to hide it from the girl. Considering that neither seem to ever go to class and don't have jobs, they earn money by setting up men to try to rape the girl--at which point the guy jumps out and beats up the men and takes their money. It sounds like a match made in heaven, right?! So why make the American title of the film "THE CRUEL STORY OF YOUTH"? What's cruel about the story--both characters choose to be evil and choose their fates. It isn't like they are somehow victims (though the film does try to paint it that way). Their lives are pointless and selfish. Rape, abortion, extortion, indifference--after a short time I found myself getting very tired of the whole thing and, oddly, when the film had it's supposed sad ending, I was thrilled! I say good riddance and bring me a film I can care about--not this nihilistic and nasty little film.
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