In the Loop (2009) 1080p

Movie Poster
In the Loop (2009) 1080p - Movie Poster
Genres:
Comedy | Comedy
Resolution:
1920*1080
Size:
1.55G
Quality:
1080p
Frame Rate:
23.976 fps
Language:
English 2.0  
Run Time:
106 min
IMDB Rating:
7.5 / 10 
MPR:
Add Date:

Downloaded:
108
Seeds:
2
Peers:
0
Directors: Armando Iannucci [Director] ,


Movie Description:
The US President and UK Prime Minister fancy a war. But not everyone agrees that war is a good thing. The US General Miller doesn't think so and neither does the British Secretary of State for International Development, Simon Foster. But, after Simon accidentally backs military action on TV, he suddenly has a lot of friends in Washington, DC. If Simon can get in with the right DC people, if his entourage of one can sleep with the right intern, and if they can both stop the Prime Minister's chief spin-doctor Malcolm Tucker rigging the vote at the UN, they can halt the war. If they don't... well, they can always sack their Director of Communications Judy, who they never liked anyway and who's back home dealing with voters with blocked drains and a man who's angry about a collapsing wall.

Screenshots

  • In the Loop (2009) 1080p - Movie Scene 1
  • In the Loop (2009) 1080p - Movie Scene 2
  • In the Loop (2009) 1080p - Movie Scene 1

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Reviews

An anti-war shag? ? In the Loop

There is something about British comedy that resonates with me. I don't know if it is because we in the States experience so little of it, or maybe because Hollywood rapes and pillages the material for their own water-downed versions, but the humor just seems fresh, uncensored, and hilarious. When I first came across the new political black comedy In the Loop, I will admit to being less than interested. The marketing materials were using the whole Obama silkscreen poster look and I really wasn't interested in a movie about how the US and Britain decided to go into the Middle East. But then the buzz started. The realization that the film was shot with a penchant for improv, a desire to entertain rather than teach, and a cast of characters looking as though they are in a Christopher Guest movie, soon turned that preconception around. This is a fantastic film that never lets up on the laughs or one-liners. I just hope people go into it knowing that this isn't how it actually happened ? but then who knows? Sometimes the truth is stranger than fiction. The back and forth dialogue is so quick that I couldn't believe my eyes when I read a quote from the director about it all being about 80-85% scripted. He says that he gave the actors leeway to break course and even do takes without scripts at all, but when culling everything together, most of what stuck actually maintained the verbiage laid out by its five screenwriters. Each of these men, including director Armando Iannucci, has been working with British television and all have collaborated on the show "The Thick of It". I will say now, if I get a chance to check it out, I most certainly will. Political satire is not necessarily my favorite thing in the world?I'll watch the odd "Daily Show" episode?but after viewing this laugh-riot, checking out a spoof on the British political system, of which I know very little, could be a ton of fun. Heck, just the inclusion of Peter Capaldi will get me to stop surfing when I reach the BBC. This guy steals the show without question. Capaldi plays Malcolm Turner, a Brit on the frontline of politics as an aide to the Prime Minister, spinning everything and anything to save face. With no time to spare on his running across the Atlantic to put out fires wherever his compatriots start them, you will have to forgive his abrasive, sarcastic, and just plain mean demeanor. The idea of war is being bandied about on talk shows, behind closed-door governmental meetings, and all over the media machine, and it is up to him to keep a lid on it by walking the party line, neither stating a fight is inevitable or unforeseeable?two terms that the buffoon who is British Secretary of State for International Development Simon Foster, played beautifully by the ever capable Tom Hollander, loves to utter. Foster just has to open his mouth to cause a stir felt around the world, and each time, of course, Malcolm Turner is there to chastise and humiliate his stupidity. The film ultimately revolves around the journey Hollander's Foster takes in trying to enhance exposure for himself. Partaking in talk shows or talking out of turn when enlisted to just be "room meat", some of the Americans begin to see him as someone abroad that shares their sentiment that war is a bad idea. While David Rasche's Linton Barwick?a hardcore proponent of battle, even using a live grenade as a paperweight?forms secret committees to discuss strategies for war, Mimi Kennedy's Karen Clarke and James Gandolfini's Lt. General George Miller are looking for ways to get into that meeting and shut it down. As a result, those two dissenters try to get Foster at every event to awkwardly express his stance of war being unforeseeable, hoping to deter any people on the fence that may be in attendance. So, Malcolm must run back and forth through England and DC spinning things his way and lambasting anyone that gets in his line of fire. Either Foster is too oblivious to care about the verbal assaults thrown his way or he just feels he can blame his Director of Communications Judy, who he makes stay at home while he globe-trots with his new young adviser Toby, (Gina McKee and Chris Addison respectively). Toby and Foster are so similar in their awe of America and lack of experience that their adventures make for good cinema, taking camera phone pics out their limo and speaking about getting hookers for the ride. In the Loop is expertly acted and, for the most part, I have to credit that to the intelligent script being utilized. Whether the actors are improvising or not, the original text they are sticking to or springboarding from needed to be strong. By using all the jokes and imbecilic actions we associate with politicians, the writers have crafted a plausible, if not entirely idiotic, account of the days leading up to our countries' joint invasion. Documents are leaked, words are twisted, and supposed partners are stabbed in the back. But through it all we have Capaldi doing his best to keep Britain's stance as noncommittal as possible. And, truthfully, the way in which he does it makes for what has to be the funniest role of the year. Every word out of his mouth is acerbic and full of double meaning. With the f-word spewing at will and demeaning name-callings going left and right, make sure your head is clear if British speech sometimes troubles you in the comprehension realm. Understanding his words definitely pays off, keeping what would otherwise be a slightly bloated and meandering plot grounded in comedic excellence.

This film may one day be for politics what Spinal Tap was for heavy metal.

In the Loop is an unusually good and funny film from a usually tepid and rather unfunny genre. After enduring an onslaught of mediocre films centered around the war in Iraq, 2009 seems to have finally brought audiences closer to cinematic resolution: first Kathryn Bigelow's invigorating The Hurt Locker gave us a fresh insight, and now this: a relatively lighter affair, to be sure, but one of such rapid-fire wit that a second viewing is almost required. In stereotypically British fashion, the humour is dry ? you probably won't experience many belly laughs ? and yet selling it merely as such seems like something of a disservice to its quality. Best described in one line as a blend of Dr. Strangelove, This Is Spinal Tap and the Ricky Gervais Office series, director Armando Iannucci has parodied the lunacy of political disinformation and thoughtless rhetoric without his film coming across as a laborious broken record or the mouthpiece of an insufferable pacifist. No, you don't have to be a liberal to enjoy this (although I can't necessarily picture Bill O'Reilly endorsing it) ? anyone with an appreciation for intelligent comedy, regardless of personal views, should find something to admire here, and it'll be a shame if the picture isn't at least nominated for Best Screenplay by year's end. The film is a spin-off of Iannucci's UK show The Thick of It, starring a couple of the same characters, and it presumably takes place during the days leading up to the invasion of Iraq (although, to be fair, we're never given the precise name of the country being targeted, nor the date for which these events take place). The plot moves fast and some of the characters are hard to get a handle on at first, but it goes something like this: Britain's Minister of International Development, Simon Foster (Tom Hollander), has a slip of the tongue while recording a live radio interview, admitting that any instance of war is "unforeseeable" and thereby perhaps even necessary ? thus enraging the Prime Minister's Director of Communications, Malcolm Tucker (Peter Capaldi in a scathingly brilliant performance). At the behest of the PM, Tucker has Foster and his new assistant, Toby (Chris Addison), shipped off to Washington, D.C., where they suffer a game of political discourse with a pro-war State Department official (played well by David Rasche). The film also features talented actors in minor roles: James Gandolfini appears in one of the film's most unexpectedly funny scenes, as a four-star general who computes the cost of a hypothetical war using a kids' toy calculator. ("At the end of a war, you need some soldiers left, really, or else it looks like you've lost.") Steve Coogan, whose wonderful Alan Partridge was co-created by Iannucci, pops up in one of the more silly-minded sequences, as a man with a bit of a wall issue. Though the film has achieved almost unanimous praise amongst critics, there have been some complaints, namely those of the NY Press' Armond White. Usually I don't address the comments of other reviewers, mainly because I typically don't care, but also because everyone is entitled to their own opinion; yet I felt compelled to respond to White's assertion that "Iannucci's sense of place is indistinguishable from The Office or The West Wing." The Office, sure, but The West Wing? Really? Did we watch the same film, Mr. White? That show's relative glamorization of closed door politics could not be at more complete odds with In the Loop, both in style and substance. What's particularly interesting is that UK magazine Time Out did an article on the film last year, and even cited the movie's production design as being the polar opposite of The West Wing's. Journalist Dave Calhoun wrote: "Iannucci tells me that he sees In the Loop as a cousin of The Thick of It. The similarities are everywhere, down to the docu-style, hand-held camera-work evident on the monitors (it's the same director of photography) and the anti-'West Wing' production design that throws all notions of political glamour out the window." I mention this only because it is worth pointing out the movie's heavy cynicism. Screen International's David D'Arcy noted the film's untimely release: "Its exuberant, boundless cynicism will test the demand for political satire in an Obama-infatuated America." I respectfully disagree ? audiences have never shown an inclination towards noting their countries' present failures, which would perhaps best explain why almost every single motion picture focused on the Iraq War since 2003 has been a box office flop. Audiences flock to cinemas for escapism ? not reminders. If time heals all wounds, then perhaps this is the opportune time to release In the Loop: at a point when we can begin to take a step back and accept the humour. Regardless: this is a very sharp, decisive comedy, and certainly worth seeking out. The "instant classic" label is vastly overused, but it is perhaps not unforeseeable that this film may one day be for politics what Spinal Tap was for heavy metal. In other words: an instant classic.

We May Have Found Summer's Sleep with 'In The Loop', America

Political comedy is a hard stunt to pull off. Ever since 1964, it seemed like nothing could top Dr. Strangelove. A lot of movies have tried and a lot have failed, although there were the lucky few that passed the bar (Election, Thank You for Smoking) but the brilliant thing about In The Loop is that it's so stupidly funny that it's one of the best comedies of the 21st Century! Armando Iannucci, most known for his The Thick of It series in the UK, directs a movie with the a the familiar theme of The Office. That documentary-style of film-making can be hit-or-miss (most recently, Public Enemies, a miss) and Iannucci hits it right on. Every scene he graces with a camera comes out picture perfect; nobody could've pegged this movie any better. Iannucci, Jesse Armstrong, Tony Roche and Simon Blackwell's script is something out of picture show heaven and sounds like it must've taken forever to finish, edit, revise, etc. Although these guys, these geniuses, apparently know what they're doing and don't care what anybody else says. That is the heart and soul of movie-making, readers. In The Loop is about a corrupt British government that accidentally gets the country thrown into the middle of a war. Loop stars Peter Capaldi, Gina McKee, James Gandolfini, Chris Addison and there's even a whimsical cameo by Steve Coogan. Capaldi is the absolute best at what he did, spewing swears as coarse as they are a riot ("fuck you, you lubricated horse cock!") and freaking out. I can't even put into words just how funny this guy was; he made the movie! But don't forget Addison as Toby. Addison is the British Napoleon Dynamite, that incredibly awkward guy that makes even the audience members turn red. James Gandolfini and Gina McKee round out the rest of the cast greatly, filling In The Loop with the type of sexual tension that you don't want to think about. It's like when a sex scene pops up on a DVD you're watching with your parents. Yeah, that bad.In The Loop is one of the most laugh out loud comedies I've seen in the past decade, that sadly nobody will get a chance to watch. In a world of Transformers and G.I Joe, In The Loop will sadly be ignored. But on an optimistic note, we may have found this summer's sleeper, America. 5/5 stars.
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