Future Shock! The Story of 2000AD (2014) 720p

Movie Poster
Future Shock! The Story of 2000AD (2014) bluray - Movie Poster
Genres:
Documentary
Resolution:
1280*720
Size:
966.30M
Quality:
720p
Frame Rate:
25 fps
Language:
English 2.0  
Run Time:
110 min
IMDB Rating:
7.2 / 10 
MPR:
Add Date:

Downloaded:
893
Seeds:
16
Peers:
2
Directors: Paul Goodwin [Director] ,


Movie Description:
Documentary covering the highs and lows of 2000AD's history, from its inception after the demise of Action to the present day.

Screenshots

  • Future Shock! The Story of 2000AD (2014) bluray - Movie Scene 1
  • Future Shock! The Story of 2000AD (2014) bluray - Movie Scene 2
  • Future Shock! The Story of 2000AD (2014) bluray - Movie Scene 1

Related Movies:

  • Hauling (2010)

    Read More »

    Often regarded as a marginal society, the recycling underworld of S?o Paulo - Brazil's largest metropolis - is the backdrop to the touching story of Claudines and his family. 'Hauling' reveals the day-to-day life of this man, a father to over 27 children, and of many others who make their living out of collecting and recycling material that others have thrown out. In order to do this, Claudinei routinely visits the downtown neighborhood of Santa Efigênia in his lime-green VW bus. A regular visitor for over 5 years, he is well known by the local shopkeepers and residents, who often donate not only the usual cardboard and plastic, but also other used goods, such as computer parts which he restores and sells. Claudinei and his family serve as a symbol of the thousands of people in Brazil who resort to recycling in order to make a living and suffer prejudice and discrimination as a result. This film shows us the intimate workings of that universe in an effort to stimulate recycling and to expose these individuals as followers of a noble and respectable way of life. —Code 7

  • Deep Purple: From Here to InFinite (2017) bluray

    Read More »

    Three weeks before the official launch date of the new album "inFinite" of rock legend Deep Purple CineStar presents the accompanying film "From Here To InFinite" on the big screen. The exclusive cinema premiere of the film, which offers captivating insights into the genesis of the upcoming studio album, took place on March 16,, 2017 at 8pm. In addition, fans can hear for the first time and world-exclusive three songs from the brand new album "inFinite". "From Here To InFinite" accompanies five legendary musicians on their moving journey to Nashville to record their latest album - and once again find out that the power of music and friendship will never end. As close as in this 90-minute film, Deep Purple never had cameras close by. The new studio album "inFinite" of the recently recorded Rock and Roll Hall of Fame musicians was released on April 7, 2017 and is the successor of the worldwide chart success and in Germany with Gold Award-winning album "NOW What ?!". In May, Deep Purple in Germany will go on "inFinite - The Long Goodbye" tour. —Jay A.

Reviews

Solid overview of the comic

You get a standard doc of talking heads, clips, and artwork but they do a good job of explaining the main characters and why the comic worked, even if it does go a little sour on some people and their practices. But for an overview of the comic's life, it's exactly as promised and worth a look.

Prepare for Shock and Law!

This is definitely an interesting documentary that explores the history of the 2000AD comic book from it's inception in 1977 to 2014. Many of the writers, artists, editors and creators make appearances in the film to talk about their unique experiences working on 2000AD. I am new to the world of 2000AD and know very little about the history of the comic so for someone like myself this documentary was filled with a lot of fresh information and history. I would definitely recommend this documentary to any fan of 2000AD but I don't think it will be as informative to long time readers of 2000AD simply because it talks more about the history of the comic book itself rather than the opinions and stories of the creators themselves.

I didn't start reading 2000AD until 2019 I had heard of the comic when I was growing up because of the Judge Dredd character. I came across a pile of old issues of 2000AD in a small comic book store for 50p an issue the image on the cover of the first issue I picked up was of Judge Dredd and my immediate thought was of the Dredd (2012) movie starring Karl Urban. I thought to myself Dredd was an awesome movie so maybe the comics are worth reading so I grabbed a handful of random 2000AD issues and decided to give them a read.

I am so glad I gave 2000AD a chance because after reading just a few old issues from the 1980s I wanted to read even more. I have since read as many of the old issues as I can find in my local comic book stores. I even signed up for of a subscription to the comic so I can get the latest issues delivered to my home. I'm a little to party but it's never too late to start a new hobby.

2000AD is filled with some of the most inventive and most violent stories you can imagine from classic characters and stories that continue to this day to a whole new generation of characters in the newer issues. 2000AD continues to thrive and provide unique, original and interesting stories that are so violent and over the top with absolutely beautiful artwork where the blood leaps off the pages.

A Must Have for any 2000AD fan

Britain was troubled in the late seventies. The unions were on strike and dead bodies were piling up in the streets; or was it garbage? There were power cuts when the coal miners stopped work and industry became even less industrious than usual as the lights went out. In desperation the public voted Margaret Thatcher into power, a polarising figure who led us into an age of riots and street protests. Brixton burned. Saint Paul's in Bristol burned a bit too and I lived quite near. Punk rock arrived and rebellion was in the air.

Rebellion owns 2000AD now, of course, but in the beginning - February 1977 - it was put out by staid Scottish publisher I.P.C. Magazines. The management were pipe smoking ex-cavalrymen in tweeds. Pat Mills, one of the founders, says that British comics were dire at the time, especially the boys stuff. Mills says the girls comics were more intelligent and had some emotional depth. He quite enjoyed writing them. However, a boy grew up reading funnies like the Beano and the Dandy but after that had nowhere to go. Well, he did, actually. He could go read the American comics like I did and like most of the creators of 2000AD did.

So Mills founded Action a realistic, violent comic which fell afoul of the censors. He was trying to give kids the feel of those movies they weren't allowed to see, like Death Wish. Then someone told someone at the publishers that a film called Star Wars was going to be huge and SF was the new trend. Keen to cash in they agreed to let Mills start a new SF comic called 2000AD. It was still in the British anthology format but slightly different in that each strip had five or six pages per episode rather than two. This gave the artists and writers more leeway. Older comics tended to have about nine small panels to the page. With more room the artists could do bigger, splashier layouts in the style of those American comics many of them loved.

Not that 2000AD was an American clone. No, sir. I think the Comics Code Authority would have jumped on it like a ton of bricks. 2000AD was largely built up by the creators interviewed here: Pat Mills, John Wagner, Grant Morrison, Neal Gaiman, Dave Gibbons and of course many others. Pat Mills, as his interviews show, is a feisty, rebellious fellow of Irish descent with a sincere grudge against the middle class, the Catholic Church and the English establishment. The others were young free spirits with anarchic tendencies but I get the impression he was the driving force. They all loved comics as a medium but wanted to do something different, and did. 2000AD was full of violence, gore, shocks etc. but also had a sense of humour, generally black. In 1978 I was at that age where you feel silly reading comics and want to pursue girls and drink (Neil Gaiman confesses to the same thing here) so I didn't read it at the time but I have read a lot of the collected reprints and I think the dark wit was best thing about it. Pat Mills was a fan of the English satirical magazine Private-Eye and that had some influence.

There are loads of interesting facts here. Judge Dredd started out slow but became more popular as time went on. The favourite strip at first was some violent fellow called M.A.C.H. 1. The film gives background information on such famous strips as Strontium Dog, Slaine, Rogue Trooper, ABC Warriors, Halo Jones, D.R. and Quinch and the joyous little Future Shocks, short stories where new writers cut their teeth. All the writers say that the discipline of doing Future Shocks, having to tell a proper, structured story in such a tiny space, forced them to do better and was a great training exercise. Future Shocks were the foot in the door, not just one but ten or twenty sometimes before you'd get more work. Alan Moore did about forty before he managed to land a whole strip for himself. The rest is history.

Big Al is missing here. I guess he didn't want to take part. Everyone else says nice things about his work, unsurprisingly, and Neil Gaiman deeply laments the fact that The Ballad of Halo Jones was left unfinished. He said Moore took two hours one day to tell him the rest of the story and he ended up in tears. Moore has gone on to other things now so we're unlikely ever to see it, alas.

Karen Berger features a lot, too. Who she? Karen is the young lady from DC Comics who came over here with Dick Giordano, poached all the 2000AD talent and took it off to America to do other things, mainly with the Vertigo imprint. Alan Moore and Brian Bolland were the first to go. For a while 2000AD became a shop window for American companies, something that Pat Mills deeply resented. Happily, some of them remember their roots and still do work for it now and then, just for fun.

Disc one is the main story of 2000AD and it's terrific. Plenty of splashy graphics on show as you might expect. It's mainly told through interviews. Disc two features the extras which are extended interviews with the same people. Pat Mills' was about an hour! In some ways Disc 2 was even more interesting that Disc 1.

Together they make a fine, engrossing package. I was glued to the screen. This is a must have for any fan of 2000AD and any comics historian.
Read More Reviews