And God Said to Cain (1970) 1080p

Movie Poster
And God Said to Cain (1970) 1080p - Movie Poster
Genres:
Horror | Western
Resolution:
1920*816
Size:
1.67G
Quality:
1080p
Frame Rate:
24 fps
Language:
English 2.0  
Run Time:
109 min
IMDB Rating:
6.7 / 10 
MPR:
Add Date:

Downloaded:
432
Seeds:
1
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0
Directors: Antonio Margheriti [Director] ,


Movie Description:
After 10 years in prison, a man who was betrayed by his ex-lover and framed-up by his ex-partner seeks vengeance despite the fact that his former partner, now rich and influential, employs a small army of henchmen. Former Confederate officer Gary Hamilton has served 10 years in a hard-labor prison for a robbery that took place in the final days of the Civil War. A transport of Confederate gold was robbed by Acombar who then left Gary Hamilton's water-flask at the scene, in an effort to incriminate him. However, Gary Hamilton had an alibi as he was at his girlfriend's house that day. Nevertheless, during the trial, his girlfriend, Maria, corrupted by Acombar's promises of money, lied and said that she was alone that day. Gary Hamilton ended up in prison for 10 years while Acombar ended up with the loot and the girl. Maria married Acombar. Released from prison, Gary Hamilton returns to the town where Acombar and Maria now live. He plans to exact revenge but Acombar is surrounded by an army of bodyguards. Informed about Hamilton's return into town, Acombar instructs his men to wait in ambush and kill Hamilton. The odds are against Hamilton but at least he can take advantage of the secret network of underground tunnels running under the town. The tunnels are part of an ancient Indian burial site. The final showdown comes at dusk, during a terrible wind storm. —nufs68

Screenshots

  • And God Said to Cain (1970) 1080p - Movie Scene 1
  • And God Said to Cain (1970) 1080p - Movie Scene 2
  • And God Said to Cain (1970) 1080p - Movie Scene 1

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Reviews

Outstanding Klaus Kinski as an ex-convict imprisoned in a hard-labor jail , who subsequently seeks vengeance

After spending 10 years in prison an inmate called Gary Hamilton (Klaus Kinski) is pardoned for a robbery of a valuable transport carrying Confederate gold that took place in the final days of the Civil War . He is a convict who was betrayed by his ex-sweetheart (Marcella Michelangeli) and framed-up by his ex-colleague called Acombar (Peter Carsten) who in an effort to incriminate Gary abandoned him water-flask at the crime scenario . Nowadays , Acombar turns out to be a wealthy owner employing a private army full of henchmen and bodyguards . Released from prison, Gary goes back the small town , there he appears as a vengeful angel and roaming here and there, despite the fact that his former partner is provided and surrounded by a small army of henchmen , resulting in fateful consequences by confronting the terrible enemies .

Above average Italian Western with chills , thrills , surprises , atmospheric sets and scary happenings . Nice Pasta western with terror elements , revolving around a merciless vendetta during a terrible wind storm and when day comes at dusk with plenty of eerie appearances , creepy murders and ghastly events. The plot is plain and simple, the ordinary revenge , Spaghetti's regular plot , as our starring plans to exact a relentless vengeance. Set at a ghastly village where happens scabrous and horrifying events in which our protagonist Kinski takes advantage of the secret network of underground tunnels that are part of an ancient Indian burial site and running under the town . In spite of a few escenarios and its medium-short budget the picture is pretty well, thanks to the adequate filmmaking , enjoyable soundtrack by Carlo Savina with catching songs at the beginning and the end , stunning cinematography by Riccardo Pallottini , Margheritti's usual cameraman , while taking great use of lights and shades as well as camera positioning to complement appropriate sinister set pieces . Of course , Antonio Margheritti delivers a nice work , in fact he was a good craftsman expert on horror and exploitation films. It packs a moving and exciting final duel between two starring Kinski and Carsten . Stars the great Klaus Kinski giving a fine acting in his usual style as the former Confederate officer who has served 10 years and subsequently takes his vengence on the family responsible for his wrongful sentence of hard labor . Pretty good Peter Carsten as the bad boy Acombar who betrayed Gary and ended up with the loot and the girl , today become a wealthy and influential land baron instructing his hoodlums to wait in ambush and kill Hamilton . Gorgeous Marcella Michelangeli plays the traitor Maria who married villian Acombar , resulting Gary's main alibi , she lied by being corrupted by Acombar's promises of money, and said that she was alone that day. While Antonio Cantafora , who used to use psedonym ¨Michael Coby¨, performs the naive and good son . Furthermore , some familar faces from Spaghetti , such as Guido Lollobrigida or Lee Burton , Gina Lollobrida's brother , Lucio De Santis, Raffaelli , Joaquin Blanco , and the regular Luciano Pigozzi as Alan Collins nicknamed the Italian Peter Lorre , among others .

This is a decent and better than average Pasta Western displaying a thrilling and frightening musical score by Carlo Savina . It contains a dark and sinister cinematography by Riccardo Pallotini . The motion picture was compellingly directed by Antonio Margheriti or Anthony M. Dawson . This Italian writer-director of horror and exploitation films, he was a former university engineering student who began in films in 1956. He was also an expert in special optical effects and model-making. Often used the pseudonym 'Anthony M. Dawson'. Antonio directed with skill and aplomb from 1956 to his death in 2002. He made all kinds of genres , some of them splendidly directed and others mediocre or failures. As he realized wartime movies, such as : ¨The Last Hunter , Tornado, Codename Wild Geese , Der Commander , Command Leopard¨. Sci-Fi : ¨War of Planets , Planet of the Prowl , Criminal of the Galaxy , Yor the Hunter from the future , Treasure Planet¨ . Spaghetti Western : Joko, Dynamite Joe , The Stranger and the Gunfighter , Take a Hard Ride , Ghosts go West , Joe implacable , God Said to Cain¨. And Terror : ¨Virgin of Nuremberg , Cannibal Apocalypse , Alien From Deep , Flesh for Dracula, Flesh for Frankenstein¨, among others . Rating 7/10. Above average . The picture will appeal to Spaghetti Western and Italian Gothic aficionados.

That's one loud theme tune!

It's thirty-seven minutes before a shot is fired in this film! That must be some sort of record for a non-comedic Spaghetti Western. Additionally, Klaus Kinski is the good guy! What is this, some kind of topsy turvy Spaghetti Western world where horses ride men and chickens eat Fernando Sancho?

No, it's not. It's a deadly serious revenge film that takes place almost in real time, most of it at night, which means it's a good idea to seek out a decent version of this film or else you'll see next to nothing.

Kinski is Gary Hamilton, a man we first see busting rocks in prison before being pardoned due to some loophole I didn't quite understand. Gary's slightly miffed because he was wrongly imprisoned and spent ten years in the pokey due to some guy called Acombar, so he lets bygones be bygones by getting out a jail, buying a rifle, and heading for town to kill Acombar and every single other person Acombar has hired to protect himself. Luckily, Gary bumps into Acombar's innocent, oblivious son on the way there and gets him to pass on the message, which leads to all kind of ominous staring. Even more luckily there's a scheduling conflict which means Gary will be arriving in town at exactly the same time as a tornado.

That's the plot, more or less. It's kind of like Django the Bastard in the way that Kinski slinks about the place wasting loads of bad guys in a creepy fashion, except this one plays up the horror angle even more (or Gothic horror angle I guess), with the continuous ringing of the church bell driving the hired goons mad, the relentless darkness and Kinski's big weird face. Acombar's main chamber is made of mirrored walls, which reminded me of the giallo Libido (which also has Luciano Pigozzi in it).

Speaking of Pigozzi, he suffers from one of the most unique and violent deaths in a Spaghetti Western, surpassed only by two incredibly horrible deaths in the film Django Kill?if you live, shoot! Ear-splitting song at the start too which might put some people off, but stick with it – this is one of Antonio Margeherriti's best films.

A western with the lights off...

If you read the synopsis for And God Said to Cain you would be forgiven for assuming it was another archetypal Spaghetti Western. The story starts with a man called Gary Hamilton, being released by Presidential pardon from a hard labour prison sentence. And from here he immediately sets about seeking out those who betrayed him leaving him imprisoned for a crime he did not commit. Making matters worse is the fact that the chief villain, Acombar, has subsequently profited from his crime, making him a very wealthy land-baron and, to rub even more salt into Hamilton's wounds, has taken his wife as his own. It's a pretty straightforward and generic revenge narrative reminiscent of many an Italian western. But what sets this one out from the crowd a bit and gives it its interest factor is the way in which it goes about presenting this story.

Probably the single most significant element is quite a simple one. Virtually the whole story happens during one stormy night. This might not sound like much but I was raking my brains to think of another western whose main body of action all takes place during the night-time. The western genre, be it American or Italian, has a convention for action taking place mostly under the unforgivably hot, bright sun. It's a fairly ingrained part of the iconography, so much so that when a film deviates from it, it's pretty noticeable. This movie builds up the basic set-up typically enough but by the half hour mark we enter the final act and we never leave the darkness. The fact that the showdown itself last a full hour is pretty unusual too it has to be said. In this part Hamilton has to contend with Acombar's thirty henchmen and he does so via a variety of methods.

Director Antonio Margheriti was a solid, if unspectacular director who worked in a number of genres and made films such as the giallo Naked You Die. It's very possible that this could be his best effort though. He really cranks up the atmosphere in this one. The night setting sort of automatically creates a dark ambiance in truth but there are several details that really accentuate things nevertheless, such as the moody soundtrack from Carlo Savina that very much underscores the ominous tone that the director is going for. While there are some nice ideas that add an extra layer to the feel as well, such as the tolling bell that prefigures the villains doom. Even the ending is going for something interesting with a finale in a room full of mirrors.

The action is maybe a bit samey in the middle section, however, with faceless villain after faceless villain being dispatched by the hero. And the constant darkness didn't always ensure the action was always too clear which was unfortunate, although admittedly, this could be due to a poor print and not the film itself. But on the whole, this is a western that stands out a bit tone-wise and this is a good thing. And, how could I end without mentioning Klaus Kinski? He normally played the villains in the westerns he appeared in. In this one, along with Black Killer from 1971 he was in an atypical good guy role and this film, like the others he starred in, benefits from his charismatic presence.
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