I Knew Her Well (1965) 1080p

Movie Poster
I Knew Her Well (1965) 1080p - Movie Poster
Genres:
Drama
Resolution:
1920*1024
Size:
1.92G
Quality:
1080p
Frame Rate:
23.976 fps
Language:
Italian 2.0  
Run Time:
115 min
IMDB Rating:
7.7 / 10 
MPR:
Add Date:

Downloaded:
5
Seeds:
3
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0
Directors: Antonio Pietrangeli [Director] ,


Movie Description:
Adriana, a naive Italian country girl, moves to Rome to become a movie star and experiences the dark side of the business.

Screenshots

  • I Knew Her Well (1965) 1080p - Movie Scene 1
  • I Knew Her Well (1965) 1080p - Movie Scene 2
  • I Knew Her Well (1965) 1080p - Movie Scene 1

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Reviews

The other side of the Sixties

This movie is very well know in Italy and certainly not a "hidden" masterpiece. Stefania Sandrelli gives a star-making performance as Adriana, the silly country girl who tries to navigate waters much too deep and dangerous for her intellectual level.

Adriana is rather ignorant and shallow, but pretty, outgoing and sensual and tries to climb the ladder of success "helped" by several men. Along the way, she has lots of flirts with despicable guys, among which one with Dario. The two spend a weekend at the beach and then Dario leaves her with the bill to pay, for which Adriana must use a bracelet Dario gave her.

This episode underlines not only Adriana's naivety, but also her lack of self-respect. After having been informed by the police that Dario is a gigolo and a thief and the bracelet he gave her stolen, she laughs and takes his defence.

The despicable male characters include famous actor Roberto and "talent scout" Cianfanna. It's most depressing to see the level of moral bankruptcy shared by all the show-biz characters. Only a boxer and a mechanic lack the cynicism of those working in the entertainment industry.

Adriana herself is just a pretty face with an empty head, devoid of self-awareness and pursuing a vague idea of 'success". She listens non-stop to silly pop music, loves dancing and doesn't mind having casual sex, but cannot even make a career out of prostitution, lacking the necessary cunning.

Unrooted from her country background, without any stable relations, without even the awareness of her loneliness, Adriana is just one of the million youngsters pursuing a sterile rebellion without a cause, which eventually will lead to her demise.

Languid Handling of Sensational Subject Matter

Director Antonio Pietrangeli handles traditionally lurid & tragic subject matter in a curiously detatched and episodic fashion devoid of the incisive elegance brought by Fellini to superficially similar content in 'La Dolce Vita'; although his excessive use of zooms and pans does rather tend to undermine cameraman Armando Nannuzzi's otherwise attractive visuals and vivid use of Rome locations.

A remarkable number of familiar faces (often considerably younger than we're used to seeing them) flit in and out of the action to uncertain purpose, and much of the film seems a pretext for various splashy party sequences in which desperation habitually seethes just below the surface; paving the way for a drama queen exit for heroine Stefania Sandrelli she scarcely seems to merit.

an unalloyed Italian hidden gem exhumed from near obscurity

A definite highlight of Italian filmmaker Antonio Pietrangeli's career, on which would be tragically put a kibosh by his untimely death in 1968, in reality, people do die of drowning after falling off a cliff.

I KNEW HER WELL continues his streak of strong female presentation, first and foremost, it is a story about a prelapsarian countryside Italian girl Adriana (a 19-year-old Sandrelli uncannily likens a luscious Taylor Swift), who jauntily pursues her star-making dream in the capital city.

Pietrangeli and his co-writers configure a loosely chronological and episodic narrative detailing the interactions between Adriana and a smorgasbord of male characters, from boyfriends, bedfellows, exploiters to sympathetic have-nots, scathingly refracts the sprawling turpitude infesting the showbiz, that a young and unsophisticated Adriana is always given the short end of the stick, can never fall in love with the right guy, and occasional sparkling of kindness dims quickly since it is just not the right time, and the film's ostensibly disengaged observation gives way to an abrupt kicker in the end, where a dysphoria-stricken Adriana takes a radical step to purge her profound disillusion out of her existence.

Wonderfully concatenating manifold vignettes into a cogent case study pertaining to the disintegration of a starlet-to-be's pipe dream (often meld perfectly with era-specific tuneage and dancing routines), Pietrangeli enlists a swell group of multi-national supporting actors, natives Manfredi (unscrupulous), Salerno (pompous), Fabrizi (smarmy), Nero (four-square), joined by a French (Brialy), a German (Fuchsberger), an Austrian (Hoffman) and a Swiss (Adorf) to bolster the mainstay, among whom, Ugo Tagnazzi brilliantly steals the limelight with his backbreaking tap dance and abjectly obsequious attitude as a struggling has-been.

As our leading lady, Sandrelli is de facto a phenomenal wet-behind-the-ears ingénue, but also excels in bringing about a palpable strength of integrity and defiance that is well beyond her age, yet, more often than not, emanates a ghost of melancholia even when hijinks are in full swing. Unequivocally evokes a young girl's version of Fellini's LA DOLCE VITA, I KNEW HER WELL is an unalloyed Italian hidden gem exhumed from near obscurity with its shimmering amalgamation of vintage style, unaffected poignancy and incisive self-mockery.
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