Kiss Me Deadly (1955) 720p

Movie Poster
Kiss Me Deadly (1955) bluray - Movie Poster
Genres:
Crime | Film-Noir
Resolution:
1204*720
Size:
974.68M
Quality:
720p
Frame Rate:
23.976 fps
Language:
English 2.0  
Run Time:
106 min
IMDB Rating:
7.6 / 10 
MPR:
Add Date:

Downloaded:
70
Seeds:
9
Peers:
1
Directors: Robert Aldrich [Director] ,


Movie Description:
A frightened woman is running barefoot on a highway, trying desperately to flag a car. After several cars pass her by, the woman sees another car approaching, and to make sure either the car stops, or she's killed, she stands in the path of the oncoming car. Private Investigator Mike Hammer is at the wheel, and after almost hitting the woman, he tells her to get in. The woman's name is Christina Bailey. She is obviously on the run, being barefoot and wearing nothing but a trench coat, and the scent of fear. Whoever was after her eventually catches up with them. Christina has information they want, but dies while being questioned. The killers fake an accident by pushing Hammer's car off the road, but he survives, waking up in hospital three days later. As Mike starts to investigate Christina's death, he's told by the police to stay out of it, but the hard-nosed private investigator proceeds anyway. Little did he know that Christina's secret would lead to death and destruction.

Screenshots

  • Kiss Me Deadly (1955) bluray - Movie Scene 1
  • Kiss Me Deadly (1955) bluray - Movie Scene 2
  • Kiss Me Deadly (1955) bluray - Movie Scene 1

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Reviews

The quest for the great whatsit

First-rate Mickey Spillane adaptation, easily the best film version of any of his novels that I've seen. Private eye Mike Hammer (Ralph Meeker) investigates the reasons behind the death of a hitchhiker (Cloris Leachman in her film debut). It's a gritty, tough, violent noir with some good dialogue and morally grey (at best) characters. Meeker's the perfect Hammer. Albert Dekker has a small but important part. The rest of the cast is good except for Nick Dennis, who goes full Eli Wallach in his role as Hammer's mechanic friend. Robert Aldrich directs with style. The ending is pretty cool, but it's definitely one of those "love it or hate it" things. It's certainly memorable, which I think most of us can agree is part of what makes any film great.

A genre-bending film so transcendent that it can be considered as an alien transmission.

Movies like "Kiss Me Deadly" are reassuring that there's more to each genre than meets the eye. "Kiss Me Deadly" is part hard-boiled detective story & part apocalyptic sci-fi horror film. The movie suspects its own plots and its conventions are ludicrous. The result is a highly inventive film with a ridiculous but highly enjoyable storyline and comically fascinating characters.

The basic plot, loosely adapted from Mickey Spillane's bestselling novel,is: after private-eye Mike Hammer picks up a hitchhiker who is later murdered, he becomes determined to learn the truth about her death. Although the plot becomes more and more insane, it's highly interesting. There are no empty twists, as each one leads to something larger and more confounding.

I've never had more fun with a film noir character than the aptly named character of Mike Hammer. He isn't intimidated by any man and denies the world's hottest women. If he holds the upper hand in a situation, he seems virtually impenetrable. This characteristic leads to the ever-prevalent theme in film noirs of men vs. women and their places in relationships and society.

The film is a masterpiece of cinematography, exhibited in the disorienting camera angles and unique and unconventional compositions of Ernest Laszlo. In fact, Ernesto Laszlo's cinematography is so apt with the film's randomness that it made me giddy.

One of the most distinctive aspects of Kiss Me Deadly is the outrageousness of its final few seconds: the movie doesn't conclude, it detonates. In the hands of the director Robert Aldrich, the film becomes a starting point for a delirious expression of 1950s anxiety and paranoia, starting with opening credits that run backwards and ending with an atomic explosion.

A Wonderful Film Noir, Among the Best

A doomed female hitchhiker (Cloris Leachman) pulls Mike Hammer (Ralph Meeker) into a deadly whirlpool of intrigue, revolving around a mysterious "great whatsit." The film withstood scrutiny from the Kefauver Commission (who investigated the mafia), which called it a film designed to ruin young viewers, leading director Aldrich to protest the Commission's conclusions. Today, the film is preserved by the Library of Congress. We can see who won in the long run.

"Kiss Me Deadly" remains one of the great time capsules of Los Angeles and Beverly Hills; the Bunker Hill locations were all destroyed when the downtown neighborhood was razed in the late 1960s.

Homage is paid to the glowing suitcase MacGuffin in the 1984 cult film "Repo Man", the film "Ronin", and in Tarantino's film "Pulp Fiction". The "shiny blue suitcase" is referenced with other famous MacGuffins in "Guardians of the Galaxy". In the film "Southland Tales", Richard Kelly pays homage to the film, showing the main characters watching the beginning on their television and later the opening of the case is shown on screens on board the mega-Zeppelin.

This is, indeed, the greatest of all private eye stories and film noir. With all due respect to such greats as "Asphalt Jungle", this is the real deal.
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