Spellbound (1945) 1080p

Movie Poster
Spellbound (1945) 1080p bluray - Movie Poster
Genres:
Film-Noir | Mystery
Resolution:
1472*1072
Size:
2.18G
Quality:
1080p
Frame Rate:
23.976 fps
Language:
English 5.1  
Run Time:
111 min
IMDB Rating:
7.6 / 10 
MPR:
Add Date:

Downloaded:
770
Seeds:
6
Peers:
0
Directors: Alfred Hitchcock [Director] ,


Movie Description:
Dr. Constance Petersen (Ingrid Bergman) is a psychiatrist at Green Manors mental asylum. The head of Green Manors has just been replaced, with his replacement being the renowned Dr. Anthony Edwardes (Gregory Peck). Romance blossoms between Dr. Petersen and Dr. Edwards, but Dr. Edwards starts to show odd aversions and personality traits...

Screenshots

  • Spellbound (1945) 1080p bluray - Movie Scene 1
  • Spellbound (1945) 1080p bluray - Movie Scene 2
  • Spellbound (1945) 1080p bluray - Movie Scene 1

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Reviews

You'll be spellbound for Bergman.

"Spellbound" is a psychological thriller that tells the story of the new head of a mental asylum (Peck) who turns out to be an imposter. It's love at first sight for Constance (Bergman), a psychiatrist at the asylum, who falls for Anthony (Peck). However, his amnesia and dizzy spells reveal that he isn't the man he says he is, and he may have actually killed the man he's pretending to be.

As things begin to unravel and the situation becomes public knowledge, Anthony does a runner and Constance leaves the asylum to track him down. The pair reunites and Constance quests to prove the innocence of her new lover.

This movie has suspense written all over it. I'm a big fan of Hitchcock movies, especially the cinematography. I love it when the shot cuts to a new location or landscape - almost in complete silence. It gives a certain eerie 'what's going to happen here?' feel to it. Even in the opening titles with the bare tree branches rattling in the wind - you know you're in for a real treat with that spooky music.

At times Peck's character does come across a bit of wimp during his funny 'spells' where he flashes back to a time when he THINKS he may have committed a crime. You want him to pull himself together and snap out of it, yet, it's part of the plot so all is forgiven.

When all the signs point to guilt Constance, in what we can only assume is her own delusion and blindness, refuses to believe that Anthony could ever do something so heinous. Her scepticism rings true towards the end when her psychiatric training comes in handy and we discover what really happened. She calls on the expertise of her former mentor, played by Michael Chekhov, who plays the part of the probing, and rather peculiar, psychoanalyst well.

Bergman and Peck make a terrific pairing. The love their characters have for each other is so convincing, you pray (and hope) that Anthony is innocent and it's all a misunderstanding. Bergman portrays Constance's desperation so well - she is desperate to prove Anthony is a good man despite his multiple admissions of guilt.

Rather ironic that a film titled "Spellbound" doesn't keep me spellbound, isn't it?

I honestly expected to be a little spellbound by Alfred Hitchcock's 1945 mystery "Spellbound" given that they are some talented talents behind it. I mean this film's got stars Ingrid Bergman and Gregory Peck, and director Alfred Hitchcock behind it. Given that I have reasonably high expectations based on their work, I wanted to get into this film for the sake of those people involved. Unfortunately, such talented people as these can't save a disappointingly dull film such as "Spellbound".

In the film, we follow a psychiatrist (Ingrid Bergman) at a mental hospital who is considered by her fellow doctors as one of the best. She and her fellow peers welcome the new director (Gregory Peck) of the hospital, but fairly soon, she begins to notice some peculiar aspects about him. She notices that he has a unusual fear of seeing dark parallel lines and a white background together. In addition, she eventually finds out that he isn't who he claims to be and that he has a serious case of amnesia. When she also learns that he accidentally committed a murder, she tries to cure him of his mental struggles by learning more about his past.

I should mention the few aspects of this picture that I found were decent. One thing is that there are a few eye-catching shots that I thought were well executed. There's a shot in which is similar to the type of camera shots you see in today's first person shooter video games, where someone is pointing a gun at one of the main leads and we see through their point of view. I thought that shot and similar shots like that were worthy of praising. I also don't find the performances from the leads that bad and I thought they were doing whatever they could to keep the film moving.

So what did I think made "Spellbound" as disappointing as I'm claiming it to be? Well, my problem with "Spellbound" can be summarized as such: it's boring beyond belief. Why do I find it boring? I thought the direction seemed to indicate that everything that was happening in the plot was not the slightest bit interesting. The screenplay by Ben Hecht didn't give its characters anything fascinating to talk about and hardly did anything to get us invested in following the plot. This film is basically trying to force us to avoid emotionally attaching to it as much as possible. What's worse is that it succeeds well at doing just that. About 10 to 20 minutes into watching this film, that's the point where I completely lost interest in following the narrative since it is told in such a lifeless manner between the boring conversations the characters have and the boring things that are being captured on film.

I believe this is definitely one of Alfred Hitchcock's weakest films because of its lack of emotional involvement, because of its uninspiring direction, because of its lame script, and because of the fact that the story that was being told wasn't that good to begin with. Maybe I didn't pick up on something in the main plot, maybe I followed it just fine enough, either way I expected much more from the talents involved that what I got. Unless you're a hardcore Hitchcock fan and just want to look at it for the sake of seeing all his flicks, I'd definitely say there are much better Hitchcock films to check out.

Pretty dull Hitchcock outing

Not one of my favourite Hitchcocks. This psychological drama draws on familiar territory for the director: it's about a supposedly wronged man, on the run for murder, the victim of a conspiracy that he must unravel before the police close the net. The twist is that the mystery lies inside his amnesic mind, and his new love interest must attempt to solve the clues and puzzle out the truth before it's too late.

My main problem with this film is the story, or lack thereof. It's just too slender to sustain a feature-length production, and the denouement, when it comes, is largely routine (save for a shocking childhood flashback) and could have been explained a lot earlier. There are extraneous characters galore and long, drawn-out sequences where nothing much happens. I found Hitchcock's trademark tension to be thin on the ground, and I was expecting a lot more from the man who made the likes of FOREIGN CORRESPONDENT and NORTH BY NORTHWEST.

On the plus side, the film boasts a central pair of good performances from both Gregory Peck and Ingrid Bergman, and a fine supporting turn for THE MAN FROM U.N.C.L.E.'s Leo G. Carroll. It's just a shame their talents couldn't have been put to use in a better production.
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