The Window (1949) 720p

Movie Poster
The Window (1949) - Movie Poster
Genres:
Drama | Film-Noir
Resolution:
1280*544
Size:
1.06G
Quality:
720p
Frame Rate:
25 fps
Language:
Hindi 2.0  
Run Time:
73 min
IMDB Rating:
7.4 / 10 
MPR:
Add Date:

Downloaded:
21
Seeds:
2
Peers:
0
Directors: Ted Tetzlaff [Director] ,


Movie Description:
At the age of 9, Tommy Woodry has a reputation for telling tall tales -- the latest one being that his family is moving from Manhattan to a ranch out west. When the landlord interrupts the Woodrys at dinner to show their about-to-be-vacated apartment, the Woodrys tell Tommy enough is enough. Then that hot summer night Tommy decides to sleep on the fire escape -- outside the Kellerson's apartment, since it is a story higher and gets more breeze. Tommy sees the Kellersons kill a man. Tommy's parents and the police won't believe his story. But the Kellersons want to silence him.

Screenshots

  • The Window (1949) - Movie Scene 1
  • The Window (1949) - Movie Scene 2
  • The Window (1949) - Movie Scene 1

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Reviews

Children's Noir

Many know the sad tale of the life of Bobby Driscoll who was Walt Disney's first live action child star paving the way for dozens more right down to today's Disney Channel. As Disney at the time The Window was made released their product through RKO Studios, RKO apparently had call on Driscoll's services and they got him to star in this sleeper of a noir film which I call children's noir.

Bobby is the son of Arthur Kennedy and Barbara Hale and he's got a big imagination forever telling tall tales. That's the problem, when he sees a real murder take place in an upstairs neighbor's apartment no one will believe him, not the cops, especially not his parents.

But murder was done in that apartment as drunk and free spending sailor Richard Benedict was done in by Paul Stewart and Ruth Roman. The body was disposed of in a condemned building next door.

In Disney products we've seen all kinds of kids put in harm's way of many a villain. But because it is a Disney film we all know nothing will happen. Not so here. Driscoll is in the mean streets of a big city and a really bad man is chasing him. You feel his fear.

The Window got an Oscar nomination in the film editing. Almost 70 years later it's still a thrilling film to watch and the cross cut editing has a lot to do with it. Don't miss this one if broadcast.

The Boy Who Cried Wolf

Tommy Woodry is a young boy living in a poor tenement in NYC. He often makes up stories. His parents are frustrated with him. On one hot night, he goes out to sleep on the fire escape. While outside the upstairs apartment, he witnesses the Kellersons stabbing a man in the back with a pair of scissors. He tries to tell his parents but they don't believe him. He tells a police detective but he finds nothing. Tommy is forced to apologize by his mother to Mrs. Kellerson which only informs them of him as a witness.

There is always great tension of a kid who nobody believes. This one takes the 'The Boy who Cried Wolf' fable and turns it into a tense noir. The little boy is pretty good in terms of a child actor. There are a couple of less believable things like the taxi driver. There must have been an impenetrable partition in that cab. Despite the little flaws, this is a solid thriller.

Like the boy who cried wolf.

A belter of a B noir out of RKO. Story plays as a variant to the boy who cried wolf legend and finds young Bobby Driscoll as Tommy, a boy prone to telling tall tales. So when one night he spies upstairs neighbours murdering a man, nobody believes him...

The build up to the crime is considered, we are privy to Tommy's home life in a cramped New York tenement, his parents loyal and hard working and they have plenty of love for their fanciful son.

Once the crime is committed, a shocking incident compounded by the fact it's perpetrated by a normal looking male and female couple, a destitute pairing prepared to do the unthinkable just for cash, then things get real tense and the thrills begin to roll.

Tommy is now under threat from the killers and he needs to be silenced, so as the cramp confines of the hot and sweaty tenement area are vividly brought to life via noir visuals, Ted Tetzlaff (director) and his cinematographers (Robert De Grasse & William O. Steiner) excelling, the paranoia and tension builds to the point that the gripping finale acts as a merciful release.

Very well performed by a cast that also includes Paul Stewart, Ruth Roman, Arthur Kennedy and Barabara Hale, this late 1940s noir is highly recommended. 8/10
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